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Toyohiko Nishijima
Toyohiko Nishijima, Semiconductor Iris Flower Diagram

Toyohiko Nishijima

About

Toyohiko Nishijima is a Japanese artist whose work combines traditional craftsmanship with an evolving personal philosophy. His practice integrates three classical Japanese techniques: handmade washi paper, urushi lacquer painting, and nihonga (Japanese-style painting with natural pigments). Nishijima produces his own ultra-thin washi from plants he cultivates himself, achieving delicate watermark drawings during the papermaking process. Through layered lacquer surfaces and mineral pigments, his works explore the relationship between material, nature, and time.

 

Alongside these traditional practices, Nishijima has developed several distinctive artistic series. In his Semiconductor series, he incorporates semiconductor substrates and technological imagery into compositions rooted in traditional Japanese painting, creating a dialogue between ancient craft and contemporary science. He is also the originator of the Kyo-Rimpa style, a contemporary interpretation of the historical Rimpa school developed in Kyoto, reimagining Rimpa aesthetics through experimental materials and modern iconography.

 

His work has been presented in numerous solo exhibitions at museums and prestigious galleries across Japan, as well as internationally in New York and Paris. Nishijima has received several awards, including the Kyoto City Prize for Emerging Artists and the Yomiuri Shimbun Prize, and his works are included in public collections. In addition to his artistic practice, he has contributed to art education for many years, serving as a lecturer at Kyoto Saga University of Arts and previously at Kyoto University of Art and Design and Kyoto College of Art.

 

Reflecting his belief that “we ourselves keep on changing, and that shows that we are alive,” Nishijima’s art presents tradition as a living practice that continues to transform through new ideas, materials, and cultural contexts.

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Toyohiko Nishijima, Raijin Fujin

 HIGHLIGHTS 

The God of Thunder and Wind

2025, Diptych, original semiconductor base, Washi paper, gold, pigment paintings on wooden panel

35 x 35 cm each panel.

A remarkable futuristic work by Japanese artist Toyohiko Nishijima, Raijin Fujin (The God of Thunder and Wind) pays homage to Tawaraya Sōtatsu’s iconic 17th-century folding screen. Rather than replicating the original, Nishijima reimagines these divine forces of wind and thunder through the symbolic aesthetics of the contemporary digital world.

Artworks

Exhibitions

Video

日本画家・西嶋豊彦アートインスタレーション
00:54
日本画の描き方|蓮|日本画家・西嶋豊彦
03:08
日本画家・西嶋豊彦「和紙と漆そして日本画」制作過程/ Washi, Urushi and Nihonga by NISHIJIMA Toyohiko
04:41
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